| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Brown, Andy R. |
Songs in the Key if Depression, Suicid and Death. Or How Metal Musicians Sustained a Dialogue of Community with Their Fans in a Period of Moral Panic about Heavy Metal Music |
2025 |
Musik und Suizidalität: Interdisziplinäre Perspektiven |
|
79-102 |
|
|
|
Kosek, Jakub |
Cultural and Social Dimensions of Contemporary Heavy Metal Narratives |
2025 |
Podstawy Edukacji |
18 |
423-440 |
|
|
|
Anderton, Chris; Goodge, Paul |
Alone in the Crowd? Live Music Audiences and Individual Experience |
2025 |
Popular Music |
First View |
1-15 |
|
|
|
Granados Sevilla, Alan Edmundo |
Public revolutionaries, private conservatives: rock performances of leftist political thought |
2025 |
Popular Music |
44 |
1-16 |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Aesthetic Tensions in Metal Production: Genre Expectations, Technological Mediation, and Creative Freedom |
2025 |
Popular Music and Society |
Latest Articles |
|
|
|
|
Quinn, Kate; Kerrigan, Andy; Ing, Jess |
“From their screaming I found feeling and meaning” |
2025 |
Psychologist |
May |
38-40 |
|
|
|
Bainbridge, Alan; Scholes, Stephen C. |
Why are you still talking about Black Sabbath? Spotting the music buff charlatans in playlists of contemporary heavy metal music |
2025 |
Psychology of Education Review |
49 |
39-42 |
|
|
|
Eckerström, Pasqualina |
The unintended consequences of state-enforced religion: 'blasphemous' metal music as secondary deviation in Iran |
2025 |
Religion |
55 |
|
|
|
|
Johnson, Rose |
“Black Candles Burn”: Ghost’s Invitation to the Occult |
2025 |
Revenant |
12 |
64-82 |
|
|
|
Maximim, Lucas de Souza |
“The battle for deliverance is over”: Interculturalidade e Conversão Semiótica no Heavy Metal da Rhegia |
2025 |
Rock e Sociedade |
|
84-96 |
|
