| Author |
Title |
Year |
Publication  |
Volume |
Pages |
| Ringsmut, Martin |
Into the Storm: Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal music |
2025 |
|
|
Chapter 9 |
| Golovin, Aleksandar |
Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music |
2025 |
|
|
Chapter 12 |
| Mattsson, Douglas |
To Praise Disgrace: Islamic Semiotic Resources in Turkish Black Metal |
2025 |
|
|
364 |
| Pichler, Peter; Béra, Camille; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco (eds) |
Meta/Metal: Open Questions in Metal Studies |
2025 |
|
|
300 |
| Popoff, Martin |
Hallowed By Their Name: The Unofficial Iron Maiden Bible |
2025 |
|
|
666 |
| Kruk, Jess; Robertson, Wesley C. |
Peripheral Linguistic Brutality: Metal Languaging in the Asia Pacific |
2025 |
|
|
288 |
| Paklmer, Tim; Burnard, Pamela; Burke, David |
Inviting a (Re)Orientation to “Musicking- as-Play” in Higher Music Education Performance Studies: Insights from Three Genre Performance Practices |
2025 |
Action, Criticism, and Theory for Music Education |
24 |
7-47 |
| Rosario-Luna, Ramón |
Puya como origen del Metal afrocaribeño: inicios de un análisis musical |
2025 |
AULA Revista de Humanidades y Ciencias Sociales |
72 |
|
| Monteanni, Luigi |
Extreme Traditions: On Bandung’s Intergenerational Sonic Ecologies |
2025 |
CTM Magazine: Interviews, Essays, Reflections on Sound, Music and Society |
|
|
| Damon, Julien |
Sacré metal : étude d’un genre |
2025 |
Études |
2025 |
95-105 |
