| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Golovin, Aleksandar |
Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music |
2025 |
|
|
Chapter 12 |
| Calvi, Giordano |
Revisiting Andrew L. Cope’s “Black Sabbath and the Rise of Heavy Metal Music” |
2025 |
Metal Music Studies |
11 |
157-160 |
| Hagen, Ross |
Revisiting “The Metal Void: First Gatherings” (2010) in 2024 |
2025 |
Metal Music Studies |
11 |
161-164 |
| Ålöw, Tobias |
Reverberations of Revelation: Thrash Metal Retellings of John’s Apocalypse |
2025 |
Journal of Religion and Popular Culture |
37 |
50-63 |
| Çelikel, Hale Fulya |
Retrospective review of Pierre Hecker’s “Turkish Metal: Music, Meaning, and Morality in a Muslim Society” |
2025 |
Metal Music Studies |
11 |
169-173 |
| Bénard, Charlène |
Reflecting on Rosemary Lucy Hill’s “Gender, Metal and the Media: Women Fans and the Gendered Experience of Music” |
2025 |
Metal Music Studies |
11 |
179-182 |
| Tuttle, Joshua B. |
Recovery, Escape, and Consolation: Uriah Heep’s The Magician’s Birthday as Fairy-Story |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
234-243 |
| Hudson, Stephen S. |
Recognizing Tonal Momentum and Echoes of Past Styles in Riff Turnarounds |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
37-50 |
| Smialek, Eric |
Recent dissertations in the analysis of metal genres: Foundational texts for the future |
2025 |
Metal Music Studies |
11 |
197-202 |
| Panayotov, Stanimir |
Rainbow corpse paint |
2025 |
Journal for Cultural Research |
30 |
122-140 |
