| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Sarkar, Debarun |
“A distant echo attracts me, fragrance of life beyond”: growing up a metalhead in India |
2025 |
South Asian History and Culture |
16 |
14-27 |
| Smialek, Eric |
“All Shall Scream”: Transposable Lessons from Pierre-Luc Senécal’s Hate.Machine for Growlers Choir |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
309-326 |
| Johnson, Rose |
“Black Candles Burn”: Ghost’s Invitation to the Occult |
2025 |
Revenant |
12 |
64-82 |
| Quinn, Kate; Kerrigan, Andy; Ing, Jess |
“From their screaming I found feeling and meaning” |
2025 |
Psychologist |
May |
38-40 |
| Destexhe, Maëlle |
“Le son de l'ancienne crypte”: Histoire et analyse du dungeon synth (1991-2025) |
2025 |
|
|
|
| Alecrim, Thales Reis |
A mosaic in the mirage: Alienation, malaise and metal music in the neo-liberal age |
2025 |
Metal Music Studies |
11 |
91-108 |
| Banchs, Edward |
A reflection on “Metal Rules the Globe: Heavy Metal Music around the World” |
2025 |
Metal Music Studies |
11 |
165-168 |
| Miguel, David |
A reflection on Esa Lilja’s “Theory and Analysis of Classic Heavy Metal Harmony” |
2025 |
Metal Music Studies |
11 |
149-152 |
| Guibert, Gérôme |
A reflection on Fabien Hein’s “Hard Rock, Heavy Metal, Metal: Histoire, Cultures et Pratiquants” |
2025 |
Metal Music Studies |
11 |
127-130 |
| Snyder, Livy Onalee |
A reflection on Julie Turley and Joan Jocson-Singh’s “Heavy Music Mothers: Extreme Identities, Narrative Disruptions” |
2025 |
Metal Music Studies |
11 |
193-196 |
