| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Radovanović Šuput, Bojana |
Estetika ružnoće – zvuk i slika ekstremne metal glazbe [The Aesthetics of Ugliness – The Sound and Image of Extreme Metal Music] |
2025 |
Filozofska istraživanja |
45 |
417-436 |
| Villar Sapiain, Alonso José |
Estudios metaleros desde el Sur: Experiencias, escenas y mundos del arte en músicos de metal de Concepción |
2025 |
|
|
|
| Friaud, Andrée; Jakubowicz, Maël Hamey |
Étudier les musiques populaires : culture, économie, politique. Entretien avec Gérôme Guibert |
2025 |
transposition. Musique et Sciences Sociales |
13 |
s. p. |
| Heidl, Sára Eszter |
Expanding the spiritual festival space: The online event community of a Hungarian festival |
2025 |
Social Compass |
72 |
221-239 |
| Monteanni, Luigi |
Extreme Traditions: On Bandung’s Intergenerational Sonic Ecologies |
2025 |
CTM Magazine: Interviews, Essays, Reflections on Sound, Music and Society |
|
|
| Smolík, Josef; Pospíšil, Jiří; Olecká, Ivana |
Forging a subcultural identity in the context of gender inequalities, generational bridges and symbolic security in Czech metal |
2025 |
Metal Music Studies |
11 |
257-278 |
| Gamble, Steven; Kennedy, Lewis |
Fragmented and Distributed Production Practices in 21st Century Metal Music: From the Studio to the Bedroom (and Back Again?) |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
411-426 |
| Mülazımoğlu, Melis |
From Wagner to Metal Through Nietzsche: Dramatic Representation of Metal Music as Ritual, Sacrifice and Catharsis |
2025 |
Konservatoryum [Conservatorium] |
Online first |
|
| Celikel, Fulya |
Guitar Pro or DAW-based Software for Metal Composition |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
443-455 |
| Easley, David |
Half-Time, Standard-Time, and Double-Time Feels in 1980s Crossover Thrash |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
152-166 |
