|
Herbst, J. - P., & Mynett, M. (2023). Lorna Shore’s ‘To the Hellfire’: A study in heaviness. Metal Music Studies, 9(2), 189–213.
|
|
|
Lux, M., & Herbst, J. - P. (2024). From analogue to algorithm: How private production reshaped metal aesthetics. Metal Music Studies, 10(3), 249–274.
|
|
|
van Doesburg, E. (2023). The Rejection and Redemption of Technology in Black Metal. Bachelor's thesis, Radboud University, Nijmegen.
|
|
|
Kolesnik, A. S. (2021). Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s]. Художественная культура, 4, 362–381.
|
|
