|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
|
|
|
|
|
|
|
Absentology |
Summoning the black flame. Trepaneringsritualen's music and absolute emptiness |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
148-159 |
|
|
Adamo, Noelia |
“In Black We Are Seen”. Heavy Metal Music in Argentina |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
67-72 |
|
|
Agapit, Pierre; Mounier, Caroline |
Réussir ? se démarquer au sein d’un secteur concurrentiel : l’expérience festivalière au service des festivals. Le cas du Motocultor Festival Open Air |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
135-162 |
|
|
Alarcón Ruiz, Juan Carlos |
CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 |
2017 |
|
|
316 |
|
|
Aloe, Federico; Mailén, Ludmila |
Crear es resistir, resistir es crear. Un documental de Raza Truncka. |
2021 |
|
|
15'14" |
|
|
Andrew Klein |
Blood, Frets and Tears |
2018 |
|
|
1'15" |
|
|
Anesiadis, Alexandros; Scarpelos, Yiannis |
Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands |
2023 |
|
|
|
|
|
Angeler, David |
Heavy Metal Music Meets Complexity and Sustainability Science |
2017 |
SpringerPlus |
5 |
1-20 |
|
|
Apter, Jeff |
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
2021 |
|
|
296 |
|