|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Coggins, Owen |
Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture |
2021 |
Isn't it Ironic? Irony in Contemporary Popular Culture |
|
|
|
|
Messick, Kyle J. |
Metal for the masses: How indie metal labels have adapted for the digital era |
2021 |
La route vers l'indépendance. L'industrie musicale en transition |
|
|
|
|
Raditya, Ardhie |
Membunuh Tradisi‘: Adegan Musik Metal Dan Subkultur Madura [Killing Tradition: Metal Music Scenes And Madurese Subcultures] |
2021 |
Sosial : Jurnal Penelitian Ilmu-Ilmu Sosial [Social: Journal of Social Sciences Research] |
22 |
31-42 |
|
|
Varas-Díaz, Nelson |
Decolonial Metal Music in Latin America |
2021 |
|
|
|
|
|
Wallach, Jeremy |
Global Rock as Postcolonial Soundtrack |
2020 |
The Bloomsbury Handbook of Rock Music Research |
|
469-485 |
|
|
Wallach, Jeremy |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
2003 |
Global Pop, Local Language |
|
53-86 |
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2013 |
Heavy metal: controversies and countercultures |
|
117-135 |
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2011 |
Popular Music History |
6 |
116-134 |
|