| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Abarza Baumann, Marcos |
Historia & concepto del black metal |
2011 |
|
|
|
|
|
|
Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
|
|
|
Aesthetic Transcendence |
Trine + Kim Design Studio |
2012 |
Black Metal: Beyond the Darkness |
|
|
|
|
|
Almer, Jiří; Ondřej, Daniel |
“666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind |
2018 |
Časopis za kritiko znanosti, domišljijo in novo antropologijo (Journal for the Critique of Science, Imagination, and New Anthropology) |
XLVI |
199-214 |
|
|
|
Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
|
|
|
Azevedo, Cláudia |
É para ser escuro! – codificações do Black Metal como gênero audiovisual |
2009 |
|
|
|
|
|
|
Beckwith, Karl |
”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene |
2002 |
Colour |
5 |
n.-p. |
|
|
|
Birk, Nathan T. |
South of Helvete (and east of Eden) |
2012 |
Black Metal: Beyond the Darkness |
|
|
|
|
|
Bogue, Ronald |
Violence in Three Shades of Metal : Death, Doom and Black |
2004 |
Deleuze and Music |
|
95-117 |
|
|
|
Bossius, Thomas |
Med framtiden i backspegeln. Black metal- och transkulturen. Ungdomar, musik och religion i en senmoden värld |
2003 |
|
|
|
|
