| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
|
|
|
Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
|
|
|
Crofton-Sleigh, Lissa |
Heavy Metal Dido: Heimdall’s “Ballad of the Queen” |
2019 |
Classical Antiquity in Heavy Metal Music |
|
115-130 |
|
|
|
Fletcher, Kris F.B. |
Vergil’s Aeneid and Nationalism in Italian Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
23-52 |
|
|
|
Fletcher, Kris F.B.; Umurhan, Osman |
Introduction: Where Metal and Classics Meet |
2019 |
Classical Antiquity in Heavy Metal Music |
|
1-22 |
|
|
|
Magro-Martínez, Iker |
A Metal monstrum: Ex Deo’s Caligula |
2019 |
Classical Antiquity in Heavy Metal Music |
|
131-154 |
|
|
|
Olabarria, Leire |
“When the Land was Milk and Honey and Magic was Strong and True”: Edward Said, Ancient Egypt, and Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
173-200 |
|
|
|
Secord, Jared |
Occult and Pulp Visions of Greece and Rome in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
155-172 |
|
|
|
Taylor, Matthew |
Eternal Defiance: Celtic Identity and the Classical Past in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
53-76 |
|
|
|
Umurhan, Osman |
Coda: Some Trends in Metal’s Use of Classical Antiquity |
2019 |
Classical Antiquity in Heavy Metal Music |
|
201-216 |
|
