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(2002). Rockdetector: A-Z of thrash metal. London: Cherry Red.
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Beckwith, K. (2002). ”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene. Colour, 5(3), n.-p.
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Boltendahl, C., Koch, H., & Schöwe, A. (2002). Grave Digger: die definitive Biografie (mit Diskografie). Höfen: Hannibal.
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Cano Barrón, J. L., & Dulude, D. (2002). Banzai Records: The Power Of The Canadian Steel Blade. UnderFire Ediciones.
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Hans, J. W. (2002). The relation between heavy metal music and delinquent behavior in a rural adolescent sample. Ph.D. thesis, Alfred University, New York.
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Janotti Jr., J. (2002). Heavy Metal e Mídias: das comunidades de sentido aos grupamentos urbanos. Ph.D. thesis, Universidade do Vale do Rio dos Sinos, São Leopoldo.
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Kahn-Harris, K. (2002). “I hate this fucking country”: Dealing with the Global and the Local in the Israeli Extreme Metal Scene. Music, Popular Culture, Identities, 19, 119–136.
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Lohmann, J., & Wanders, H. (2002). Evolas Jünger und Odins Krieger. Extrem rechte Ideologien in der Dark-Wave- und Black-Metal-Szene. In C. Dornbusch, & J. Raabe (Eds.), RechtsRock. Bestandsaufnahme und Gegenstrategien. (pp. 287–307). Münster: Unrast-Verl.
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Mader, M. (2002). ”Burning-Ambition – das Iron-Maiden-Fachbuch”. Berlin: IP-Verl. Jeske, Mader.
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Matzke, P., Seeliger, T., Kuhnle, V., & Bruckbauer, C. (Eds.). (2002). Das Gothic- und Dark Wave-Lexikon: das Lexikon der schwarzen Szene, von Ambient bis Industrial, von Neofolk bis Future Pop und von Goth-Rock bis Black Metal. Berlin: Lexikon.
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