|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
|
|
Stabler, Bert |
False atonality, true non-totality |
2016 |
Helvete: A Journal of Black Metal Theory |
3 |
109-112 |
|
|
Rivero-Vadillo, Alejandro |
Greening Black Metal: The EcoGothic Aesthethics of Botanist’s Lyrics |
2022 |
Ecozon@ |
13 |
106-124 |
|
|
Noys, Benjamin |
”Remain True to the Earth!”: Remarks on the Politics of Black Metal |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
105-128 |
|
|
Martin, Frédérick |
Pour une approche musicologique du black metal |
2005 |
Societes |
88 |
103-108 |
|
|
Carey, Joshua |
Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy |
2023 |
Metal Music Studies |
9 |
101-118 |
|
|
Kuiper, Max |
Excerpts |
2016 |
Helvete: A Journal of Black Metal Theory |
3 |
99-108 |
|
|
Cotterell, Joel |
This is Armageddon: the dawn motif and black metal’s anti-Christian project |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
95-101 |
|
|
Chelini, Gianluca |
Javanese Black Metal: Towards a Definition of Post-Heritage Music |
2018 |
Sounds of origin in heavy metal music |
|
95-116 |
|
|
Kahn-Harris, Keith |
The ‘Failure’ of Youth Culture: Reflexivity, Music and Politics in the Black Metal Scene |
2004 |
European Journal of Cultural Studies |
7 |
95-111 |
|