| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Taylor, Matthew |
Eternal Defiance: Celtic Identity and the Classical Past in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
53-76 |
|
|
|
Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
|
|
|
Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
|
|
|
Deyhle, Donna |
From Break Dancing to Heavy Metal: Navajo Youth, Resistance, and Identity |
1998 |
Youth & Society |
30 |
3-31 |
|
|
|
Norman, Joseph |
From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity |
2018 |
Sounds of origin in heavy metal music |
|
117-140 |
|
|
|
Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
|
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
|
|
Kotila, Sanna |
Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics |
2012 |
|
|
|
|
|
|
Kaiser, Maisie |
Gender, Identity, and Power in Metal Music Scenes |
2016 |
|
|
|
|
|
|
Burns, Robert G.H. |
German symbolism in rock music: national signification in the imagery and songs of Rammstein |
2008 |
Popular Music; Cambridge |
27 |
457-472 |
|
