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Araste, L. (2010). Communication function in the Estonian metal subculture. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 103–109). Oxford: Inter-Disciplinary Press.
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Frandsen, D. (2010). Living for music, dying for life: the self-destructive lifestyle in the heavy metal culture. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 9–17). Oxford: Inter-Disciplinary Press.
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Gafarov, I. (2010). Metal community and aesthetics of identity. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 1–7). Oxford: Inter-Disciplinary Press.
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Helden, I. von. (2010). Scandinavian metal attack: the power of Northern Europe in extreme metal. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 31–41). Oxford: Inter-Disciplinary Press.
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Hill, R. (2010). ’I’m a metalhead’: the representation of women letter writers in Kerrang! magazine. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 79–88). Oxford: Inter-Disciplinary Press.
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James, C. A. (2010). The common vernacular of power relations in heavy metal and Christian fundamentalist performances. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 19–29). Oxford: Inter-Disciplinary Press.
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Lucas, C. (2010). White power, black metal and me: reflections on composing the nation. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 43–53). Oxford: Inter-Disciplinary Press.
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McKinnon, C. A. (2010). Louder than Hell: power, volume and the brain. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 111–126). Oxford: Inter-Disciplinary Press.
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Moore, S. (2010). Dissonance and dissidents: the flattened supertonic within and without of heavy metal music. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 127–140). Oxford: Inter-Disciplinary Press.
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Mynett, M., Wakefield, J., & Till, R. (2010). Intelligent equalisation principles and techniques for minimising masking when mixing the extreme modern metal genre. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 141–146). Oxford: Inter-Disciplinary Press.
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