| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
Ancestral morbid fascinations: Reformulating local culture through metal music in Puerto Rico |
2018 |
Metal Music Studies |
4 |
175-186 |
|
|
|
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel (eds) |
Heavy Metal Music In Argentina: in black we are seen |
2020 |
|
|
|
|
|
|
Varas-Díaz, Nelson |
El Sur Distorsionado como un cambio paradigmático para el metal y su estudio |
2022 |
Lenguas Radicales |
1 |
28-41 |
|
|
|
Varas-Díaz, Nelson |
Decolonial Metal Music in Latin America |
2021 |
|
|
|
|
|
|
Varas-Díaz, Nelson |
Heavy Metal and the Communal Experience: An introduction |
2016 |
Heavy Metal Music and the Communal Experience |
|
vii-xiii |
|
|
|
Varas-Díaz, Nelson |
Metal at the Fringe: A Historical Perspective on Puerto Rico’s Underground Metal Scene |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
|
|
|
Varas-Díaz, Nelson |
El sujeto criminal sónico: heavy metal y el reto a la normativa social dominante |
2012 |
Registros criminológicos contemporáneos |
|
207-240 |
|
|
|
Varas-Díaz, Nelson |
Can Progressive Metal’s Narrative Inform Social Stigma Theory? Pain of Salvation’s ”The Perfect Element” Parts 1 and 2 as Examples |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
41-50 |
|
|
|
Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Rivera-Segarra, Eliut |
Metal music studies in Latin America: Extending the depth of field |
2021 |
Metal Music Studies |
7 |
115-117 |
|
|
|
Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Rivera-Segarra, Eliut (eds) |
Heavy metal music in Latin America: perspectives from the distorted south |
2020 |
|
|
|
|
