| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Woodward, Ben; Ishmael, Amelia; Stephanou(ed.), Aspasia; Price, Zareen (eds) |
Helvete: A Journal of Black Metal Theory. Issue 1: Incipit |
2013 |
|
|
|
|
|
|
Wilson, Scott |
BAsileus philosoPHOrum METaloricum |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
33-52 |
|
|
|
Williams, Evan Calder |
The Headless Horsemen of the Apocalypse |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
129-142 |
|
|
|
Walzer, Nicolas |
La recomposition religieuse black metal |
2005 |
Societes |
88 |
53-91 |
|
|
|
Wallin, Jason; Venkatesh, Vivek |
‘No satisfaction, no fun, no future’: Futures thinking in black metal |
2020 |
Metal Music Studies |
6 |
175-191 |
|
|
|
Wallin, Jason; Podoshen, Jeffrey; Venkatesh, Vivek |
Second wave true Norwegian black metal: an ideologically evil music scene? |
2017 |
Arts Marketing; Bingley |
7 |
159-173 |
|
|
|
Wallin, Jason J. |
The Dark Ecology of Black Metal |
2014 |
Educational, Psychological, and Behavioral Considerations in Niche Online Communities |
|
389-394364 |
|
|
|
Wallin, Jason |
On the Plains of Gorgoroth: Black Metal, Youth Culture, and the Psychoanalytic Question of Evil |
2012 |
Cultural Formations |
1 |
n.-p. |
|
|
|
Wagenknecht, Andreas |
Das Böse mit Humor nehmen. Die Ernsthaftigkeit des Black Metal und deren ironisierende Aneignung am Beispiel von Fanclips auf YouTube |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
153-164 |
|
|
|
Vrzal, Miroslav; Řezníček, Dan |
Impaled Northern Moonforest: konstrukce parodické blackmetalové identity [Impaled Northern Moonforest: construction of a parodic black metal identity] |
2017 |
Sacra |
15 |
62-88 |
|
