| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
|
|
|
St-Laurent, Méi-Ra |
Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh |
2016 |
Metal Music Studies |
2 |
87-108 |
|
|
|
Swiniartzki, Marco |
Working metal musicians: A case of transition in the long 1980s |
2023 |
Metal Music Studies |
9 |
59-75 |
|
|
|
Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
|
|
|
Taylor, Laura Wiebe |
Extreme politics and extreme metal: strange bedfellows or fellow travellers? |
2010 |
The metal void: first gatherings |
|
175-210 |
|
|
|
Thomson, Andrew |
Brutal Theory: Luciferian Brutalism and cultural critique in extreme metal music |
2020 |
|
|
|
|
|
|
Unger, Matthew |
Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music |
2016 |
|
|
|
|
|
|
Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
|
|
|
Vallen, Sam |
’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage |
2019 |
Australian Metal Music |
|
37-54 |
|
|
|
Vasan, Sonia |
Gender and Power in the Death Metal Scene: A Social Exchange Perspective |
2016 |
Global metal music and culture: current directions in metal studies |
|
261-276 |
|
