| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
González Hernández, José Omar |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
2021 |
Metal Music Studies |
7 |
119-128 |
|
|
|
Grant, Sam |
Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts |
2017 |
Metal Music Studies |
3 |
175-200 |
|
|
|
Grund, Cynthia M. |
The Sounds Of Metal: A Proposal For The Interpretation Of Extreme Metal As Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
374-382 |
|
|
|
Harbert, Benjamin J. |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
2013 |
The Arab Avant-Garde: Music, Politics, Modernity |
|
229-272 |
|
|
|
Helden, Imke von |
Scandinavian metal attack: the power of Northern Europe in extreme metal |
2010 |
Heavy fundametalisms: music, metal and politics |
|
31-41 |
|
|
|
Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
|
|
|
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
|
|
|
Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
|
|
|
Hoad, Catherine; Whiting, Samuel |
True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal |
2017 |
M/C Journal |
20 |
n..p. |
|
|
|
Hutcherson, Ben; Haenfler, Ross |
Musical genre as a gendered process: Authenticity in extreme metal |
2010 |
Studies in Symbolic Interaction |
35 |
101-121 |
|
