| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Araste, Lii |
Communication function in the Estonian metal subculture |
2010 |
Heavy fundametalisms: music, metal and politics |
|
103-109 |
|
|
|
Frandsen, Daniel |
Living for music, dying for life: the self-destructive lifestyle in the heavy metal culture |
2010 |
Heavy fundametalisms: music, metal and politics |
|
9-17 |
|
|
|
Gafarov, Igor |
Metal community and aesthetics of identity |
2010 |
Heavy fundametalisms: music, metal and politics |
|
1-7 |
|
|
|
Helden, Imke von |
Scandinavian metal attack: the power of Northern Europe in extreme metal |
2010 |
Heavy fundametalisms: music, metal and politics |
|
31-41 |
|
|
|
Hill, Rosemary |
’I’m a metalhead’: the representation of women letter writers in Kerrang! magazine |
2010 |
Heavy fundametalisms: music, metal and politics |
|
79-88 |
|
|
|
James, Christine A. |
The common vernacular of power relations in heavy metal and Christian fundamentalist performances |
2010 |
Heavy fundametalisms: music, metal and politics |
|
19-29 |
|
|
|
Lucas, Caroline |
White power, black metal and me: reflections on composing the nation |
2010 |
Heavy fundametalisms: music, metal and politics |
|
43-53 |
|
|
|
McKinnon, Colin A. |
Louder than Hell: power, volume and the brain |
2010 |
Heavy fundametalisms: music, metal and politics |
|
111-126 |
|
|
|
Moore, Sarha |
Dissonance and dissidents: the flattened supertonic within and without of heavy metal music |
2010 |
Heavy fundametalisms: music, metal and politics |
|
127-140 |
|
|
|
Mynett, Mark; Wakefield, Jonathan; Till, Rupert |
Intelligent equalisation principles and techniques for minimising masking when mixing the extreme modern metal genre |
2010 |
Heavy fundametalisms: music, metal and politics |
|
141-146 |
|
