| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Radovanović, Bojana |
Extreme Sound, “Extreme” Lifestyle? Investigating Cattle Decapitation’s Stance on the Human Impact on the Environment and Animal Rights |
2021 |
Studia Polensia |
10 |
43-58 |
|
|
|
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo (eds) |
Música Extrema. Ruídos, imagens e sentidos |
2021 |
|
|
|
|
|
|
Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
|
|
|
Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
|
|
|
Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
|
|
|
Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
|
|
|
Norman, Joseph |
‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins |
2019 |
Metal Music Studies |
5 |
225-242 |
|
|
|
Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
|
|
|
Kirner-Ludwig, Monika; Wohlfarth, Florian |
METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal |
2018 |
Metal Music Studies |
4 |
403-432 |
|
|
|
Barchi, Rodrigo (ed) |
Diálogos com a música extrema |
2021 |
|
|
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