| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
|
|
|
Heesch, Florian |
Heavy Metal and Gender: An Introduction |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
1-10 |
|
|
|
Heesch, Florian |
Metal for Nordic men? Amon Amarth’s representations of Vikings |
2012 |
Reflections in the metal void |
|
167-182 |
|
|
|
Heesch, Florian |
Metal for Nordic men? Amon Amarth’s representation of Vikings |
2010 |
The metal void: first gatherings |
|
71-81 |
|
|
|
Heesch, Florian |
Black Metal-Sirenen Mythenrezeption und Weiblichkeitsbilder bei Astarte |
2009 |
History – herstory: alternative Musikgeschichten |
|
389-404 |
|
|
|
Heesch, Florian; Scott, Niall (eds) |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
2016 |
|
|
|
|
|
|
Heritage, Gareth |
Torment[Her] (Misogyny as an Artistic Device): Alternative Perspectives on the Misogynist Aesthetic of W.A.S.P.’s ‘The Rack’ |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
61-80 |
|
|
|
Heritage, Gareth |
Accept(ing) the other (Metallic[a]) hypermasculine image: Case studies towards an alternative understanding of hypermasculinity in the aesthetics of 1980s heavy metal |
2016 |
Metal Music Studies |
2 |
57-68 |
|
|
|
Hickam, Brian; Wallach, Jeremy |
Female Authority and Dominion: Discourse and Distinctions of Heavy Metal Scholarship |
2011 |
Journal for Cultural Research |
15 |
255-277 |
|
|
|
Hill, Rosemary |
’I’m a metalhead’: the representation of women letter writers in Kerrang! magazine |
2010 |
Heavy fundametalisms: music, metal and politics |
|
79-88 |
|
