| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
|
|
|
Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
|
|
|
Kennedy, Lewis F. |
Intersections of genre, heritage and place un the New Wave of American Heavy Metal |
2021 |
Music and Heritage: New Perspectives on Place-making and Sonic Identity |
|
126-135 |
|
|
|
Temkin, Daniel |
Intricate Machines for String Quartet |
2016 |
|
|
|
|
|
|
Hughes, Mairead |
Is affiliation with alternative subcultures associated with self-harm? |
2017 |
|
|
145 |
|
|
|
Baez, Christian |
Metal Andino Guitarras, Bajo y Batería en los Andes (Proyecto documental). |
|
|
|
52'24" |
|
|
|
Calandra, Nicole |
Metal health: Measuring depression and anxiety within the heavy metal community |
2016 |
|
|
41 |
|
|
|
Polzer, Evan |
Mosh Pits and Mental Health: Metal Communities and Emerging Adults' Well-Being |
2017 |
|
|
122 |
|
|
|
Triplett, Andrew G. |
Music and aggression: Effects of lyrics and background music on aggressive behavior |
2016 |
|
|
57 |
|
|
|
Castillo Bernal, Stephen |
Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México |
2015 |
|
|
343 |
|
