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Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Valiuška, Žygimantas |
Mitjans de consum musical en la formació del Heavy metal |
2016 |
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Messick, Kyle J. |
Metal for the masses: How indie metal labels have adapted for the digital era |
2021 |
La route vers l'indépendance. L'industrie musicale en transition |
|
|
|
|
|
Brown, Andy R., Niall W. R. |
The Ballad of Heavy Metal: The Art of Song-Writing, Production Values and Pop-Metal Crossover |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
|
|
|
Tofalvy, Tamas; Koltai, Júlia |
“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system |
2021 |
New Media & Society |
OnlineFirst |
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|
|
|
Scaricaciottoli, Emiliano; Minore, Gito (eds) |
Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
2021 |
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|
Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
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|
Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. (eds) |
Metal rules the globe: heavy metal music around the world |
2011 |
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|
Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
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|
Klypchak, Brad |
Another thing coming: nostalgia and kitsch in mass cultural manifestations of ”metal” |
2017 |
Connecting metal to culture: unity in disparity |
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