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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Radovanović, Bojana |
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies |
2021 |
Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity |
|
97-110 |
|
|
|
Reithaug, Eirik Albrethsen |
Skald Av Satans Sol: An exploration of early Norwegian black metal through topic theory |
2022 |
|
|
|
|
|
|
Ribaldini, Paolo |
Terminology issues with the poïetic aspect of vocals in heavy metal studies: A suggestion for a multidisciplinary approach |
2019 |
Metal Music Studies |
5 |
315-335 |
|
|
|
Ribeiro, Hugo L. |
A Dinâmica das Identidades: análise estilística e contextual de três bandas de metal na cena rock underground de Aracaju |
2007 |
|
|
|
|
|
|
Ribeiro, Hugo Leonardo |
Notas Preliminares Sobre O Cen??Rio Rock Underground Em Aracaju-Se |
2004 |
Anais do V Congresso Latinoamericano da Associação Internacional para o Estudo da Música Popular (IASPM): “Música e territorialidades: os sons dos lugares e seus contextos socioculturais” |
|
|
|
|
|
Rodkiewicz, Maciej |
Hand of Doom. Pozabluesowe źródła metalowego paradygmatu [Hand of Doom. Non-blues sources of the metal paradigm] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
134-145 |
|
|
|
Sabbath, Juan |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
2021 |
|
|
312 |
|
|
|
Salueña, Eduardo G. |
Perfect symmetry: lo «técnico» y lo «progresivo» como paradigmas en la intelectualización del metal |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
111-132 |
|
|
|
Schumann, Garrett |
Terminally Climactic Forms In Heavy Metal Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
413-423 |
|
|
|
Scott, Niall (ed) |
The metal void: first gatherings |
2010 |
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