|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Greene, Paul D. |
Electronic and affective overdrive: tropes of transgression in Nepal’s heavy metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
109-134 |
|
|
Grütz, Moritz |
Metallisierte Welt: auf den Spuren einer Subkultur |
2018 |
|
|
|
|
|
Hamma, Amine; Guibert, Gérome |
De l’internationale-metal au conflit sociétal local : la scène de Casablanca. Entretien avec Amine Hamma |
2006 |
Volume! La revue des musiques populaires |
5 |
153-177 |
|
|
Harbert, Benjamin J. |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
2013 |
The Arab Avant-Garde: Music, Politics, Modernity |
|
229-272 |
|
|
Hazle, Dawn |
Delusions of Grandeur? Producing Authentic Metal Music in the Soviet Union |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
185-199 |
|
|
Hazle, Dawn |
Delusions of grandeur? Aria and the development of Soviet metal music |
2018 |
|
|
|
|
|
Heath, Douglas |
Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
230-239 |
|
|
Hecker, Pierre |
Turkish metal: music, meaning, and morality in a Muslim society |
2012 |
|
|
|
|
|
Hecker, Pierre |
Turkish metal: music, meaning, and morality |
2012 |
Reflections in the Metal Void |
|
121-142 |
|
|
Hecker, Pierre |
Heavy Metal in the Middle East: New Urban Spaces in a Translocal Underground |
2010 |
Being Young and Muslim: New Cultural Politics in the Global South and North |
|
415-434 |
|