| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Glitsos, Laura |
“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community |
2020 |
Popular Music and Society |
43 |
93-113 |
|
|
|
Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
|
|
|
Moberg, Marcus |
Religion in Popular Music or Popular Music as Religion? A Critical Review of Scholarly Writing on the Place of Religion in Metal Music and Culture |
2012 |
Popular Music and Society; Bowling Green |
35 |
|
|
|
|
Harrison, Thomas |
”Empire”: Chart Performance of Hard Rock and Heavy Metal Groups, 1990-1992(1) |
2007 |
Popular Music and Society; Bowling Green |
30 |
197-225,303 |
|
|
|
Weinstein, Deena |
All Singers Are Dicks |
2004 |
Popular Music and Society |
27 |
323-334 |
|
|
|
Pillsbury, Gleen T. |
Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience |
2000 |
Popular Music and Society |
24 |
125-128 |
|
|
|
Burns, Gary |
Marilyn Manson and the apt pupils of Littleton |
1999 |
Popular Music and Society |
23 |
3-8 |
|
|
|
Friesen, Bruce K.; Epstein, Jonathon S. |
Rock ’n’ roll ain’t noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music |
1994 |
Popular Music and Society; Bowling Green |
18 |
1 |
|
|
|
Harrell, Jack |
The poetics of destruction: Death metal rock |
1994 |
Popular Music and Society |
18 |
91-103 |
|
|
|
Epstein, Jonathon S.; Pratto, David J. |
Heavy metal rock music juvenile delinquency and satanic identification |
1990 |
Popular Music and Society |
14 |
67-76 |
|
