| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Bardine, Bryan; Clinton, Esther |
Metal and Cultural Impact |
2016 |
Metal Music Studies |
2 |
259-262 |
|
|
|
Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
|
|
|
Clinton, Esther; Wallach, Jeremy |
Talking Metal: The Social Phenomenology of Hanging Out |
2016 |
Heavy Metal Music and the Communal Experience |
|
37-56 |
|
|
|
Clinton, Esther; Wallach, Jeremy |
Recoloring The Metal Map: Metal And Race In Global Perspective |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
274-282 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
1-6 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Metal Music in the Distorted South: A Call for Defiance and Reflection |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
9-30 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Epilogue: Metal Unbound |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
387-390 |
|
|
|
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
|
|
|
Wallach, Jeremy; Clinton, Esther |
The horror and the allure: metal, power, gothic literature, and multisubjectivity |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
