| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Addergebroed |
Addergebroed Book II: 2021 – 2024 |
2024 |
|
|
|
|
|
|
Aguilar Mirandas, Jackeline Nohelia |
La presencia de las chicas en la escena hardcore punk cochabambino |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
209-226 |
|
|
|
Apaza Terceros, Carmen Julia (Juka) |
Chicas heavies: La mujer músico en el metal boliviano |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
99-134 |
|
|
|
Arias, Rafael |
La conexión ancestral en el arte visual del rock-metal boliviano |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
157-170 |
|
|
|
Barron, Lee |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
2024 |
Fashion, Style & Popular Culture |
Online first |
|
|
|
|
Beach, James, R.; Naron, Brian L. |
Beyond the Black: The Story of Metal Church |
2024 |
|
|
|
|
|
|
Beckmayer, Sonja |
“Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal |
2024 |
Praktische Theologie |
59 |
58-65 |
|
|
|
Benard, Charlène |
Who Listens to “Metal for Girls”? Metal, Orchestra and Female Voices: Measuring the Reception of Symphonic Metal in France, Between Middle Class and Gender |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
211-234 |
|
|
|
Bosselmann-Ruickbie, Antje |
Queen of All Cities: Echoes of Constantinople in Heavy Metal Music |
2024 |
Mittelalter und Populärkultur: Rezeption, Aneignung, Beachtung |
|
161-192 |
|
|
|
Brown, Andy R. |
Resistance Through Music: Exploring the Role of Class Fraction Appropriations and Alliances in the Subcultural Formation of Heavy Metal, Classic, Post and Present |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
17-41 |
|
