| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Brown, Andy R.; Spracklen, Karl; Kahn-Harris, Keith; Scott, Niall W.R. |
Introduction: Global Metal Music and Culture and Metal Studies |
2016 |
Global metal music and culture: current directions in metal studies |
|
1-21 |
|
|
|
Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) |
Global metal music and culture: current directions in metal studies |
2016 |
|
|
|
|
|
|
Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
|
|
|
Lucas, Caroline; Deeks, Mark; Spracklen, Karl |
Grim Up North: Northern England, Northern Europe and Black Metal |
2011 |
Journal for Cultural Research |
15 |
279-295 |
|
|
|
Riches, Gabrielle; Lashua, Brett; Spracklen, Karl |
Female, Mosher, Transgressor: A ’Moshography’ of Transgressive Practices within the Leeds Extreme Metal Scene |
2013 |
IASPM Journal |
4 |
87-100 |
|
|
|
Spracklen, Karl |
Making sense of metal in the United Kingdom and the future of metal music studies: A case study of Wytch Hazel and Arð |
2025 |
Metal Music Studies |
11 |
11-21 |
|
|
|
Spracklen, Karl |
Metal Music and the Re imagining of Masculinity, Place, Race and Nation |
2020 |
|
|
|
|
|
|
Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
|
|
|
Spracklen, Karl |
Afterword. Being Metal, Being Australian? Reflections and an Afterword |
2019 |
Australian Metal Music |
|
145-148 |
|
|
|
Spracklen, Karl |
Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal |
2018 |
Metal Music Studies |
4 |
61-80 |
|
