|
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Cárdenas Azuaje, Diana María; Cuchivague, Karen Ortiz, Karen |
El arte del ruido: el discurso visual sobre las mujeres en algunas carátulas de discos de metal colombiano |
2024 |
Contrapulso |
6 |
57-73 |
|
|
Damon, Julien |
Sacré metal : étude d’un genre |
2025 |
Études |
2025 |
95-105 |
|
|
Eckerström, Pasqualina |
The unintended consequences of state-enforced religion: 'blasphemous' metal music as secondary deviation in Iran |
2025 |
Religion |
55 |
|
|
|
Eves, Natasha |
Performing Reparative Craft: Oreet Ashery’s “Passing through Metal” |
2024 |
Textile. Cloth and Culture |
22 |
571-585 |
|
|
Jingyao Ren; Jian Lu |
Heavy Metal Music, Hip-Hop Music, and Construction Noise Induces Depressive Symptoms in Mice |
2024 |
ASEAN Journal of Psychiatry |
25 |
|
|
|
Latif, Muhammad Asad |
Music in religion |
2025 |
Theology |
128 |
41-47 |
|
|
Lizardo, Omar |
From Macrogenres to microgenres via relationality |
2024 |
Poetics |
102 |
|
|
|
Medeiros, Beatriz |
“Uma coisa que tentamos fazer por nós”: festival e resistência feminina na cena underground brasileira |
2024 |
Contrapulso |
6 |
26-40 |
|
|
Medeiros, Beatriz; Calvo, Manuela Belén; Silva, Melina Aparecida dos Santos |
Dossiê | Entre riffs e rebeliões: a presença feminina e queer no heavy metal sulamericano |
2024 |
Contrapulso |
6 |
4-10 |
|
|
Ourique, Julia |
¿Pueden las mujeres tocar heavy metal? Afectividad misógina en el heavy metal brasileño |
2024 |
Contrapulso |
6 |
11-25 |
|