|
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Anderton, Chris; Burns, Lori |
Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
1-14 |
|
|
Biamonte, Nicole; Cain, Jerry |
The Tool Album as Gesamtkunstwerk |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
415-430 |
|
|
Burns, Lori |
Kamelot’s Adaptation of Goethe’s Faust: Tragic Subjectivities in Power Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
161-174 |
|
|
Cárdenas Azuaje, Diana María; Cuchivague, Karen Ortiz, Karen |
El arte del ruido: el discurso visual sobre las mujeres en algunas carátulas de discos de metal colombiano |
2024 |
Contrapulso |
6 |
57-73 |
|
|
Coggins, Owen |
“A Maze with Very Minimal Guiding Light, Thematically Slithering Between Worlds”: Black Metal, Progressive Rock, and Ambivalent Constellations of Imagination in Remmirath’s Shambhala Vril Saucers |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
244-256 |
|
|
Damon, Julien |
Sacré metal : étude d’un genre |
2025 |
Études |
2025 |
95-105 |
|
|
Eckerström, Pasqualina |
The unintended consequences of state-enforced religion: 'blasphemous' metal music as secondary deviation in Iran |
2025 |
Religion |
55 |
|
|
|
Eves, Natasha |
Performing Reparative Craft: Oreet Ashery’s “Passing through Metal” |
2024 |
Textile. Cloth and Culture |
22 |
571-585 |
|
|
Fejes, János |
“Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
204-214 |
|
|
Girard-Despraulex, Elise |
Storytelling, Narrative, and Coherence in Avatar’s “Feathers and Flesh (In His Own Words)” (2027) |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
315-326 |
|