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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Glatz, Sabine |
Die Entstehung der Heavy Metal-Musik in China: ein musikalischer Kulturtransfer in und nach China in den 1980er-Jahren |
2014 |
|
|
|
|
|
|
LeVine, Mark |
Headbanging Against Repressive Regimes: Censorship of Heavy Metal in the Middle East, North Africa, Southeast Asia and China |
2009 |
|
|
|
|
|
|
Wang, Yuan |
Observations on the Chinese metal scene (1990-2013): history, identity, industry, and social interpretation |
2016 |
|
|
|
|
|
|
Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
|
|
|
Yiren Zhao |
Hermit Aesthetics in Chinese Metal Music: Subcultural Philosophy between Confucianism and DaoismPhilosophy between Confucianism and Daoism |
2024 |
Scenari. Rivista di estetica e metafisica |
21 |
233-254 |
|
|
|
Yiren Zhao |
Metal like a hermit: Situating the “subcultural” of Chinese metal music in the Chinese context |
2023 |
Metal Music Studies |
9 |
351-357 |
|
|
|
Zheng, Yu |
”The screaming successor”: Exploring the Chinese metal scene in contemporary Chinese society (1996-2015) |
2016 |
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