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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Aquino Ruiz, Frankz Armas, Laura |
Relación e interacción entre la música académica contemporánea y el Metal Extremo |
2021 |
|
|
|
|
|
|
Benefield, Adam J. |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
2020 |
|
|
|
|
|
|
Burns, Lori; Scotto, Ciro |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
2025 |
|
|
|
|
|
|
Burns, Lori; Scotto, Ciro |
Introduction: Appreciating, Understanding, and Interpreting Metal Music Composition |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
1-10 |
|
|
|
Celikel, Fulya |
Guitar Pro or DAW-based Software for Metal Composition |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
443-455 |
|
|
|
Chowenhill, Richard |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
2020 |
|
|
|
|
|
|
Faingold, Noam. |
Portfolio of compositions and technical commentary |
2015 |
|
|
|
|
|
|
Jameson, Benjamin Thomas |
Negotiating the cross-cultural implications of the electric guitar in contemporary concert music |
2017 |
|
|
|
|
|
|
Kaban, Shvan |
The Evolution of the Bass Guitar in Metal Music: Its Function in Performance and Compositional Structure |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
270-286 |
|
|
|
Lilja, Esa |
Perspectives on Harmony in Early Heavy Metal: Chords, Modes, Functions, and Texture |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
13-36 |
|
