| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Alarcón Ruiz, Juan Carlos |
CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 |
2017 |
|
|
316 |
|
|
|
Armao, Frédéric |
The Contemporary Myth of the Celts in Ireland: from (Mainstream) Enya to (Underground) Cruachan |
2021 |
Revue française de civilisation britannique |
26 |
s.p. |
|
|
|
Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
|
|
|
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo (eds) |
Música Extrema. Ruídos, imagens e sentidos |
2021 |
|
|
|
|
|
|
Banchs, Edward |
Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity |
2016 |
Metal Music Studies |
2 |
311-324 |
|
|
|
Barajas, Jhon Edison |
Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal |
2021 |
|
|
|
|
|
|
Barone, Stefano |
Metal Identities In Tunisia: Locality, Islam, Revolution |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
185-194 |
|
|
|
Belén Calvo, Manuela |
La construcción de la identidad metálica auténcia en la escena argentina |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
245-266 |
|
|
|
Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
|
|
|
Boyarin, Shamma; Saguar García, Amaranta; Christensen, Annika; Swinford, Dean |
The Politics and Poetics of Metal’s Medieval Pasts |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
71-80 |
|
