|
|
Anttonen, S. (2016). ‘Hypocritical bullshit performed through gritted teeth’: Authenticity discourses in Nickelback’s album reviews in Finnish media. Metal Music Studies, 2(1), 39–56.
|
|
|
|
Aquino Ruiz, F. (2015). Radicalizing the Resistance: The Representation of Political Identities in the Heavy Metal Community of Puerto Rico Via the Production of Radio Shows. In Modern Heavy Metal: Markets, Practices and Cultures (pp. 88–94). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
|
|
|
|
Bayer, G. (2017). Metal documentaries: the national, the global, and the cosmopolitan. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
|
|
|
|
Berkers, P., & Schaap, J. (2015). YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers. Metal Music Studies, 1(3), 303–318.
|
|
|
|
Bernal, M. (2021). Pantallas de un metal nuevo. Comunicación y cultura pesada. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 57–61). Buenos Aires: Clara Beter Ediciones.
|
|
|
|
Da Silva, B. A. S. “Familícia”: feminismo e antifascismo da Petals Blade pela sua produção Audiovisual (2019-2021). In M. G. Da Silva (Ed.), Rock e Sociedade (pp. 97–121). Foz do Iguaçu: CLAEC.
|
|
|
|
Efthimiou, C. (2014). ”Was muss man tun, damit es metallen ist?”. Die Medienwissenschaften und die Erweiterung der Metal Studies. In F. Heesch, & A. - K. Höpflinger (Eds.), Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge (pp. 135–152). Münster: Waxmann Verlag.
|
|
|
|
Galicia Poblet, F. (Ed.). (2019). Heavy y metal, a través del cristal. Nuevas perspectivas culturales. Madrid: Apache Libros.
|
|
|
|
Griffin, H. (2014). Hair Metal Redux: Gendering Nostalgia and Revising History on VH1. Journal of Popular Film & Television; Washington, 42(2).
|
|
|
|
Gyulai, A. (2017). Taming the Extreme: Hungarian Black Metal in the Mainstream Publicity. In E. Barna, & T. Tófalvy (Eds.), Made in Hungary: Studies in Popular Music (10 pages in length). Routledge Global Popular Music Series. New York, New York: Routledge.
Abstract: << The story of Hungarian black metal tells us about the pitfalls of influence. What happens when a genre that is defined by obscurity and adversarial attitude earns wide recognition and becomes acknowledged beyond its own territory? The ideology of black metal does not merely determine the boundaries of the genre but also aims to control its reception. However, Hungarian black metal has crossed not only national borders but the boundaries of the scene as well.
This contradiction between the story of Hungarian black metal and the genre’s ideology is what this chapter is about. Hungarian black metal exemplifies the taming of a genre that follows from the loss or lack of transgressive practices that would trigger controversy (Hjelm et al. 2011). Black metal in Hungary became widely known without provoking conflicts and the moral panic that have characterized the reception of the genre in other countries. >>
[SOURCE: https://www.taylorfrancis.com/chapters/edit/10.4324/9781315689982-10/taming-extreme-hungarian-black-metal-mainstream-publicity-attila-gyulai?context=ubx]
|
|