| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Brizard, Cyril |
Le monde du métal symphonique: vers une sociologie de l’oeuvre comme création continuée, l’exemple de Nightwish |
2011 |
|
|
|
|
|
|
Brizard, Cyril |
La fusion de la musique metal et de la musique classique. Nightwish et les voix chantées. Une étude de cas |
2006 |
Volume! La revue des musiques populaires |
5 |
115-135 |
|
|
|
Karjalainen, Toni-Matti |
Afterword – From a Campfire to the Global Stage: A Conversation with Tuomas Holopainen of Nightwish |
2021 |
Made in Finland: studies in popular music |
|
|
|
|
|
Karjalainen, Toni-Matti |
Ride between Hell and Paradise: Imaginaerum as Mental Anchoring Place for the Global Nightwish Fan Community |
2016 |
Heavy Metal Music and the Communal Experience |
|
59-78 |
|
|
|
Ollila, Mape |
Once upon a Nightwish: the official biography 1996-2006 |
2008 |
|
|
|
|
|
|
Ollila, Mape |
Nightwish |
2006 |
|
|
|
|
|
|
Svetlova, Anna |
Moc wyobraźni artysty: film “Imaginaerum” zespołu Nightwish jako narracja transmedialna i “twórcza zdrada” [The power of the artist's imagination: film “Imaginaerum” by Nightwish as a transmedia narrative and “creative betrayal”] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
165-183 |
|
|
|
Svetlova, Anna |
The poet who failed his best play? Podmiot mówiący w utworach zespołu Nightwish wobec paradygmatu romantycznego [The poet who failed his best play? Speaking subject in the tracks of Nightwish in the face of the romantic paradigm] |
2018 |
Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura |
10 |
|
|
