| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Coggins, Owen |
Imaginaries of spirituality, violence and health impacts in metal music: A critical history and case study |
2019 |
Approaches: A Journal of Music Therapy |
11 |
134-149 |
|
|
|
Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
|
|
|
Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2017 |
Religion and Media |
|
s.p. |
|
|
|
Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2015 |
Journal of Implicit Religion |
18 |
209-231 |
|
|
|
Granholm, Kennet |
Ritual Black Metal: Popular Music as Occult Mediation and Practice |
2013 |
Correspondences |
1 |
5-33 |
|
|
|
Masciandaro, Nicola |
Anti-Cosmosis: Black Mahapralaya |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
67-92 |
|
|
|
Miranda Bonilla, Sergio |
La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
69-92 |
|
|
|
Moberg, Marcus |
Popular Culture and the ’Darker Side’of Alternative Spirituality: The Case of Metal Music |
2009 |
Postmodern Spirituality |
|
|
|
