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(2002). Rockdetector: A-Z of thrash metal. London: Cherry Red.
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Ålöw, T. (2025). Reverberations of Revelation: Thrash Metal Retellings of John’s Apocalypse. Journal of Religion and Popular Culture, 37(2-3), 50–63.
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Baulch, E. (2003). Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene. Popular Music; Cambridge, 22(2), 195–215.
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Bellemare, L. (2016). Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 193–208). New York & London: Routledge.
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Brown, C. M. (1995). Musical responses to oppression and alienation: Blues, spirituals, secular thrash, and Christian thrash metal music. International Journal of Politics, Culture, and Society, 8(3), 439–452.
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Büttner, C. A., & Wehmeier, H. (2022). Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in Thrash, Altenessen. ffk Journal, 7, 15–36.
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Cundle, T. (2022). Mass Movement: The Digital Years, Vol. Two. East Sussex, UK: Earth Island Books.
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Dome, M. (1990). Thrash metal. London: Omnibus.
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Dome, M. (1991). Thrash Metal. Valencia: Ed. la Máscara.
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Draus, A. (2023). Retoryka wojenna i ekspresja agresji w twórczości Metalliki (z lat 1983‒1991) [War Rhetoric and the Expression of Aggression in the Works of Metallica (from 1983 to 1991)]. Annales Universitatis Paedagogicae Cracoviensis. Studia De Cultura, 15(4), 7–18.
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