| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Barratt-Peacock, Ruth; Herbst, Jan-Peter |
The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach |
2025 |
Metal Music Studies |
11 |
65-89 |
|
|
|
Burns, Lori |
Beyond “Beauty and the Beast”: The Evolution of Gendered Clean-Harsh Vocal Pairings in Metal Music |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
368-382 |
|
|
|
King, Clare |
Nu Metal’s Influential Vocal Composition: Tension and Release in the Music of Korn, Incubus, and Machine Head |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
354-367 |
|
|
|
Marstal, Henrik |
Mercyful Fate's “Don't Break the Oath” |
2021 |
|
|
|
|
|
|
Quires, Vik J. |
Thine Voice is Oh So Sweet: Gothic Metal and Vocal Timbre Diversity |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
341-353 |
|
|
|
Smialek, Eric |
“All Shall Scream”: Transposable Lessons from Pierre-Luc Senécal’s Hate.Machine for Growlers Choir |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
309-326 |
|
|
|
Strauss, Suzanne |
Song of the Siren, Cry of the Warrior: An Exploration of Song Structures and Female Vocal Techniques in Power Metal |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
327-340 |
|
|
|
Tailleur, Modan; Pinquier, Julien; Millot, Laurent; Vogel, Corsin; Lagrange, Mathieu |
EMVD dataset: a dataset of extreme vocal distortion techniques used in heavy metal |
2024 |
21st International Conference on Content Based Multimedia Indexing (CBMI) |
|
126-130 |
|
