| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hassemer, Simon Maria |
Green is the New Black (Metal): Wolves in the Throne Room, die amerikanische Romantik und Ecocriticism |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
263-277 |
|
|
|
Morton, Timothy |
At the edge of the smoking pool of death: Wolves in the Throne Room |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
21-29 |
|
|
|
Pöhlmann, Sascha |
Whitman's Compost: The Romantic Posthuman Futures of Cascadian Black Metal |
2015 |
ACT – Zeitschrift für Musik & Performance |
6 |
|
|
|
|
Pöhlmann, Sascha |
Die transzendentalistische Konstante. Von Walt Whitman zu Wolves In The Throne Room |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
89-113 |
|
|
|
Seifert, Amelia-Roísín; Murray, Kevin |
Wolves in the Throne Room: Time, Autochthony and Transcendence in Contemporary (Post)-Black Metal |
2012 |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
|
89-101 |
|
