| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Alasia, Ezequiel |
The Reason Behind My Writing: Another Day of Being |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
72-83 |
|
|
|
Bernal, Manuel; Caballero, Manuel |
Walkabout, Just Walking about for the Sake of Walking: The Journey as an Ethos in the Poetics of Ricardo Iorio |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
46-57 |
|
|
|
Minore, Gito |
Heavenly Hosts and Other Demons: Reflections Concerning a Difficult and Transversal Relationship in the History of Our Heavy Music |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
28-45 |
|
|
|
Pisano, Juan Ignacio |
Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
58-71 |
|
|
|
Scaricaciottoli, Emiliano |
Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002 |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
84-99 |
|
|
|
Scarrone, Luciano |
Genre Violence: Argentinean Heavy Metal in the Music Market |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
16-27 |
|
|
|
Torreiro, Gustavo |
Heavy Metal as a Subculture in Argentina: Identity and Resistance |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
2-15 |
|
|
|
Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
2020 |
Heavy Metal Music In Argentina: in black we are seen |
|
|
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