| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
al-Soukkary, Wael |
Egypt’s folk devils? Metal music as a pious alternative for Egyptian metal fans |
2024 |
Metal Music Studies |
10 |
183-200 |
|
|
|
Alecrim, Thales Reis |
A mosaic in the mirage: Alienation, malaise and metal music in the neo-liberal age |
2025 |
Metal Music Studies |
11 |
91-108 |
|
|
|
Alkatiri, Zeffry; Aviandy, Mochamad; Nugraha, Fajar Muhammad; Setiawan, Hawe, Putri, Melisa Indriana |
A pseudo-rebellion: Ujung Berung metalheads in the contestation of identity space in Bandung, 2010–22 |
2023 |
Metal Music Studies |
9 |
233-255 |
|
|
|
Andrews, Ben; Bennett, Pete |
No direction home: ‘The Home of Metal’ and unreconstructed and unaccommodated man |
2015 |
Metal Music Studies |
1 |
197-210 |
|
|
|
Anttonen, Salli |
‘Hypocritical bullshit performed through gritted teeth’: Authenticity discourses in Nickelback’s album reviews in Finnish media |
2016 |
Metal Music Studies |
2 |
39-56 |
|
|
|
Banchs, Edward |
A reflection on “Metal Rules the Globe: Heavy Metal Music around the World” |
2025 |
Metal Music Studies |
11 |
165-168 |
|
|
|
Banchs, Edward |
When the Steel City paused: Pittsburgh’s metal scene confronts COVID-19 |
2024 |
Metal Music Studies |
2 |
91-103 |
|
|
|
Banchs, Edward |
Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity |
2016 |
Metal Music Studies |
2 |
311-324 |
|
|
|
Bannister, Matthew |
Joker to the thief: Trickster guitarists in 1970s stadium rock |
2023 |
Metal Music Studies |
2023 |
151-169 |
|
|
|
Bardine, Bryan; Clinton, Esther |
Metal and Cultural Impact |
2016 |
Metal Music Studies |
2 |
259-262 |
|
