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Author (up) Boman, Björn url  doi
isbn  openurl
  Title The First Wave of Masks in Rock and Heavy Metal and Their Successors Type Book Chapter
  Year 2026 Publication Masks In Music and Film: Perspectives from the West and East Asia Abbreviated Journal  
  Volume Issue Pages 103-119  
  Keywords Masks; Kiss; King Diamond; Immortal; Ghost; Hard rock; Heavy metal; Death metal; Black metal; Corpse paint  
  Abstract << Black and white makeup of Kiss influenced later heavy metal acts such as King Diamond and, even later in the 1990s onward, Scandinavian black metal. The current chapter sketches a brief history of the usage of makeup and masks in heavy metal and related sub-genres. Black metal and to lesser extent death metal artists, use corpse paint, and occasionally masks, to portray a potentially transformative dimension of artistic personas, antinomian sociocultural values, and aggressive stage performances.

However, experts on black metal and death metal are skeptical about the extent to which these artists and values represent authentic transformation and not just superficial genre paraphernalia. Furthermore, in relation to Ghost, a popular heavy metal band from Sweden, intertextual influences from film characters are highlighted in a context signified by entertainment. Thus, masks and makeup in heavy metal might be seen as performative but with both entertaining and antagonistic elements. >>

[source: https://link.springer.com/chapter/10.1007/978-3-032-16978-5_11]
 
  Address  
  Corporate Author Thesis  
  Publisher Palgrave Macmillan Cham Place of Publication London, U.K. Editor  
  Language English Summary Language Original Title  
  Series Editor Series Title Abbreviated Series Title  
  Series Volume Series Issue Edition  
  ISSN ISBN 978-3-032-16977-8; 978-3-032-16980-8; 978-3-032-16978-5 Medium Hardback; paperback; eBook  
  Area Expedition Conference  
  Notes Approved no  
  Call Number INTech @ brianhickam2019 @ Serial 3055  
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