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Hannan, C. (2026). I Don’t Hear It That Way: Temporal Parallax, Metal, and Music Theory’s “Listener”. Music Theory Spectrum, t.b.c., mtaf015.
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González Martínez, S. (2026). Feminist Metal Music: Learning from the Underground. New York: Bloomsbury.
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Georgios, T. (2025). Η πρώτη περίοδος του ελληνικού black metal. Ταυτότητα, νεωτερικότητα, και πολιτιστική παραγωγή κατά την περίοδο 1988 – 1993 [The first period of Greek black metal. Identity, modernity, and cultural production during the period 1988 – 1993].
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Villar Sapiain, A. J. (2025). Estudios metaleros desde el Sur: Experiencias, escenas y mundos del arte en músicos de metal de Concepción. Master's thesis, Universidad de Concepción, Concepción.
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Rettman, T. (2010). Why Be Something That You're Not: Detroit Hardcore 1979-1985. Huntington Beach, California: Revelation Records.
Abstract: << In the early 70s, Detroit was the musical hub of America, but by the early eighties, it was a wasteland. It took a group of skateboarders, a teacher and a census clerk to wake the city up and start one of the first hardcore punk scenes in America.
“Why Be Something That You're Not” chronicles the first wave of Detroit hardcore from its origins in the late 70s to its demise in the mid-80s. Through oral histories and extensive imagery, the book proves that even though the California beach towns might have created the look and style of hardcore punk, it was the Detroit scene – along with a handful of other cities – that cultivated the music's grassroots aesthetic before most cultural hot spots around the globe even knew what the music was about.
The book includes interviews with members of The Fix, Violent Apathy, Negative Approach, Necros, Pagans, Bored Youth, and L-Seven along with other people who had a hand in the early hardcore scene like Ian MacKaye, Tesco Vee and Dave Stimson. >>
SOURCE: https://revhq.com/products/tony-rettman-why-be-something-that-youre-not-detroit-hardcore-1979-1985-book
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