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Coggins, O. (2015). The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal. Journal of Implicit Religion, 18(2), 209–231.
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Coggins, O. (2017). The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal. In D. L. Kirby, & C. M. Cusack (Eds.), Religion and Media (s.p.). London: Routledge.
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Coggins, O. (2014). Citation and Recitation in Mystical Scholarship and Om’s Drone Metal. Diskus, Journal of the British Association for the Study of Religion, 16(1), 30–47.
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Coggins, O. (2013). Mountains of Silence: Drone Metal Recordings as Mystical Texts. International Journal for the Study of Religion in Society, 2(4), 21–32.
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Coggins, O., & Harris, J. (Eds.). (2017). Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism. St. Louis: Void Front Press.
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Coggins, O. (2017). Unstable Metaphors for the Inaccessible: Mysticism, Blackletter, Drone Metal. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 15–27). St. Louis: Void Front Press.
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Coggins, O. (2017). A Spectre So Violent: Monstrous Logic and the Malevolent City in the Music of Skinny Puppy. In A. McGhee, & J. Lamperez (Eds.), Urban Monstrosities: Perversity and Upheaval in the Unreal City (pp. 108–127). Cambridge: Cambridge Scholars Press.
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Coggins, O. (2014). Nationalist Black Metal, Black Metal Nation. In G. Ray, J. Sarkar, & A. Bhattacharya (Eds.), Writing Difference: Literature, Identity and Nationalism (pp. 460–481). London: Atlantic.
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Bona, M. (2021). Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture. Master's thesis, Saint Mary's University, Halifax.
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Barchi, R. (Ed.). (2021). Diálogos com a música extrema. Porto Alegre: editorafi.org.
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