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| Author | Abbey, Eric James; Helb, Colin (eds) | ||||
| Title | Hardcore, punk, and other junk: aggressive sounds in contemporary music | Type | Book Whole | ||
| Year | 2014 | Publication | Abbreviated Journal  |
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| Volume | Issue | Pages | |||
| Keywords | Extreme Metal; Hardcore; Punk; Aggression | ||||
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| Publisher | Lexington Books | Place of Publication | Lanham | Editor | Abbey, Eric James; Helb, Colin |
| Language | Summary Language | Original Title | |||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-0-7391-7605-4 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ abbey_hardcore_2014 | Serial | 1928 | ||
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| Author | Williams, Dominic | ||||
| Title | Embodying the Auschwitz ”Sonderkommando” in extreme metal | Type | Journal Article | ||
| Year | 2020 | Publication | Metal Music Studies | Abbreviated Journal |
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| Volume | 6 | Issue | 3 | Pages | 319-336 |
| Keywords | Extreme Metal; Holocaust | ||||
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| Language | en | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ williams_embodying_2020 | Serial | 1954 | ||
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| Author | Smialek, Eric T. | ||||
| Title | Genre and Expression in Extreme Metal Music, Ca. 1990-2015 | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal |
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| Volume | Issue | Pages | 346 | ||
| Keywords | Aesthetics; Black metal; Death metal; Extreme Metal; History (metal music); Musicians & conductors; Subgenres | ||||
| Abstract | Extreme metal music , a conglomeration of metal subgenres unified by a common interest in transgressive sounds and imagery, is now a global phenomenon with thriving scenes in every inhabited continent. Its individual subgenres represent a range of diverse aesthetics, some with histories spanning over thirty years. Scholarship on extreme metal now boasts a similar diversity as well as its own history spanning nearly two decades. With the rise of metal studies as an emerging field of scholarship, the scholarly literature on extreme metal has increased exponentially within the past seven years supported by annual conferences, the establishment of the International Society for Metal Music Studies (ISMMS), and a specialized journal ( Metal Music Studies). Despite this growth, the field is still characterized by what sociologist Keith Kahn-Harris has called “undoubtedly the most critical weakness in metal studies as it stands: the relative paucity of detailed musicological analyzes on metal” (Kahn-Harris 2011, 252). This blind spot in the literature is so pervasive that Sheila Whiteley began her preface to Andrew Cope's Black Sabbath and the Rise of Heavy Metal Music with the exclamation, “At last! A book about heavy metal as music ” (Cope 2010, xi). As the first book-length musicological study of extreme metal, this dissertation responds to this critical gap by outlining, in previously unattempted detail, a wide range of genre conventions and semiotic codes that form the basis of aesthetic expression in extreme metal. Using an interdisciplinary mixture of literary genre theory, semiotics, music theory and analysis, acoustics, and linguistics, this dissertation presents a broad overview of extreme metal's musical, verbal, and visual-symbolic systems of meaning. Part I: Interconnected Contexts and Paratexts begins with a critical survey of genre taxonomies, showing how their implicit logic masks value judgments and overlooks aspects of genre that are counterintuitive. This leads to an investigation of boundary discourses that reveals how fans define extreme metal negatively according to those subgenres and categories of identity that they treat as abject Others: nu metal, screamo, and deathcore as well as their associations with blackness, femininity, and adolescence . Part I concludes with a thick description of death metal and black metal that shows how its lyrics, album reviews, album artwork, band logos, and font styles collectively provide messages about the semantics of genre, most notably by drawing upon archetypes of the sublime and , in the case of raw black metal, Part II: Analyzing Musical Texts synthesizes large corpus studies of musical recordings with close readings of individual songs. This section begins with a demonstration of how technical death metal bands Cannibal Corpse, Demilich, and Spawn of Possession play with listener expectations towards meter, syntax, and musical complexity to create pleasurable forms of disorientation that reward active and repeated listenings. It proceeds to investigate musical accessibility and formal salience in melodic death metal, showing through examples by In Flames and Soilwork how the notion of melody pervades this musicand contributes to its sense of rhetoric. Part II concludes with a study of musical expression in extreme metal vocals. Using discussions and recordings from a vocalist participant, a corpus study of eighty-five songs that begin with wordless screams, and close readings of excerpts by Morbid Angel, Zimmers Hole, and At the Gates, I demonstrate that the acoustical features of vowel formants are central to vocal expression in extreme metal, enabling vocalists to mimic large beasts in a way that fans find convincing and powerful. |
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | McGill University | Place of Publication | Montreal | Editor | |
| Language | en | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9798597046549 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ smialek_genre_2016 | Serial | 689 | ||
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| Author | Kahn-Harris, Keith | ||||
| Title | “Roots”? the relationship between the global and the local within the Extreme Metal scene | Type | Book Chapter | ||
| Year | 2006 | Publication | The popular music studies reader | Abbreviated Journal |
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| Volume | Issue | Pages | 128-134 | ||
| Keywords | Sociology; Extreme Metal; Globalization | ||||
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| Publisher | Routledge | Place of Publication | Milton Park | Editor | Bennett, Andy; Shank, Barry; Toynbee, Jason |
| Language | en | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ kahn-harris_roots_2006 | Serial | 1200 | ||
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| Author | Villalobos Albornoz, Omar | ||||
| Title | “Pampa endiablada” y extreme metal: sociología visual y hermenéutica del diseño | Type | Journal Article | ||
| Year | 2015 | Publication | Revista de Estudios Cotidianos | Abbreviated Journal |
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| Volume | 3 | Issue | 1 | Pages | 253-286 |
| Keywords | Extreme Metal; Latin America | ||||
| Abstract | La interpretación de la imagen como fenómeno de interés sociológico, comprende un campo para la aproximación hacia lo contemporáneo y visual. El oficio en la sociología visual interpreta el diseño de cubierta en relación al extreme metal, específicamente el de un producto titulado “Pampa Endiablada”; compilación de bandas en la zona norte de Chile [2009] A ello se agrega el estudio de la relación que se puede establecer con la noción de hibridación cultural, en tanto tenga cabida en el fenómeno en cuestión. | ||||
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| Publisher | Place of Publication | Republic of Chile | Editor | ||
| Language | spa | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 0719-1936 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ villalobos_albornoz_pampa_2015 | Serial | 1586 | ||
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| Author | Thomson, Andrew | ||||
| Title | Brutal Theory: Luciferian Brutalism and cultural critique in extreme metal music | Type | Book Whole | ||
| Year | 2020 | Publication | Abbreviated Journal |
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| Volume | Issue | Pages | |||
| Keywords | Brutality; Extreme metal | ||||
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Alberta | Place of Publication | Alberta | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2012 | ||
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| Author | Ortiz Cora, Laila Eréndira | ||||
| Title | La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock | Type | Journal Article | ||
| Year | 2020 | Publication | Estudios sobre las culturas contemporáneas | Abbreviated Journal |
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| Volume | 26 | Issue | 52 | Pages | 93-109 |
| Keywords | Extreme Metal; Violence | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2029 | ||
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| Author | Chowenhill, Richard | ||||
| Title | Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion | Type | Book Whole | ||
| Year | 2020 | Publication | Abbreviated Journal |
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| Volume | Issue | Pages | |||
| Keywords | Musicology; Extreme Metal; Composition | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Brandeis University | Place of Publication | Waltham | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2034 | ||
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| Author | Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde | ||||
| Title | Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience | Type | Journal Article | ||
| Year | 2020 | Publication | Musicae Scientiae | Abbreviated Journal |
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| Volume | OnlineFirst | Issue | Pages | ||
| Keywords | Extreme Metal; Violence; Emotion; Passion | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2036 | ||
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| Author | González Hernández, José Omar | ||||
| Title | Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia | Type | Journal Article | ||
| Year | 2021 | Publication | Metal Music Studies | Abbreviated Journal |
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| Volume | 7 | Issue | 1 | Pages | 119-128 |
| Keywords | Mexico; Colombia; Latin America; Non-Western scenes; Extreme Metal; Interculturality; Decolonization | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2064 | ||
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