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| Author | Herbst, Jan-Peter (ed) | ||||
| Title | The Cambridge Companion to Metal Music | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 320 | ||
| Keywords | Heavy metal; Twentieth-Century and Contemporary music; Music: General interest; Music performance | ||||
| Abstract | “Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com). “Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/). Collection: The Cambridge Companions to Music. |
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| Publisher | Cambridge University Press | Place of Publication | Cambridge, England | Editor | Herbst, Jan-Peter |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Cambridge Companions to Music | Abbreviated Series Title  |
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1108845861; 978-1108993982; eBook: 9781108991162 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2463 | ||
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| Author | Batista, Marcelo R. | ||||
| Title | United Forces: An Archive of Brazil's Raw Metal Attack, 1986-1991 | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 528 | ||
| Keywords | Brasil; Brazil; Sepultura; Carcass; Darkthrone; Mystifier; Sarcófago | ||||
| Abstract | “This massive 528pp document of the 1980s Brazilian metal uprising includes over 1,000 images, photos, and flyers in ten narrative chapters...United Forces presents the story in vivid color, along with Batista's own headbanger tale―from humble origins collecting scrap metal to buy Motörhead albums to DIY operator funneling his country's metal passion to receptive listeners in Europe and North America. The changes in Brazil during the 1980s and early 1990s serve as background for a full-bore metal revolution, as Batista's story brings to life the crucial South-of-the-equator 1980s scene that inspired all the forthcoming underground extremes to come.” (source: Amazon.com) | ||||
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| Publisher | Bazillion Points | Place of Publication | Editor | ||
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1935950215; 978-1935950219 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2516 | ||
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| Author | Prown, Pete | ||||
| Title | Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 192 | ||
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| Abstract | “From metal pioneers like Black Sabbath’s Tony Iommi, Led Zeppelin’s Jimmy Page, and Deep Purple’s Ritchie Blackmore to today’s hottest shredders, thrashers, and riffers, Ultimate Heavy Metal Guitars is your guide to the instruments and musicians that made metal. Author and guitar journalist Pete Prown presents his subjects by metal-defining eras and subgenres, including: early metal, hard rock and arena rock, prog rock, Euro metal, hair metal, shred, thrash, and more.” (source: Amazon.com) | ||||
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| Publisher | Motorbooks | Place of Publication | Editor | ||
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 0760377758; 978-0760377758 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2515 | ||
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| Author | Núñez, María de la Luz | ||||
| Title | Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas | Type | Journal Article | ||
| Year | 2023 | Publication | UCOARTE. Revista De Teoría E Historia Del Arte | Abbreviated Journal | |
| Volume | 12 | Issue | Pages | 236–260 | |
| Keywords | Yana Raymi (band); Perú; Neobaroque; Aesthetics; Cover Art | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2491 | ||
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| Author | Tapia, Reynaldo | ||||
| Title | Perspectivas y Resistencias Musicales | Type | Journal Article | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Bolivia | ||||
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| Publisher | Ediciones Rincón | Place of Publication | La Paz | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2482 | ||
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| Author | Tapia, Reynaldo | ||||
| Title | Observaciones y Resumen del Primer Congreso y Encuentro de Rock y Metal en Bolivia | Type | Book Chapter | ||
| Year | 2023 | Publication | Perspectivas y Resistencias Musicales | Abbreviated Journal | |
| Volume | Issue | Pages | 17-36 | ||
| Keywords | Bolivia; Conferences | ||||
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| Publisher | Ediciones Rincón | Place of Publication | La Paz | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2481 | ||
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| Author | Pichler, Peter | ||||
| Title | To the sources! On historical source criticism in metal studies | Type | Journal Article | ||
| Year | 2023 | Publication | Popular Music History | Abbreviated Journal | |
| Volume | 15 | Issue | 1 | Pages | 54–77 |
| Keywords | Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes | ||||
| Abstract | Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. | ||||
| Address | 15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom | ||||
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| Publisher | Equinox Publishing Ltd | Place of Publication | United Kingdom | Editor | Catherine Strong; Shane Homan |
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1740-7133 (Print); 1743-1646 (Online) | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2469 | ||
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| Author | Gallina, Francesco | ||||
| Title | La fisica del rock. Da Einstein, Lovecraft e Paperino a Jeeg Robot, ai Queen e all'Universo degli Epica | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
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| Publisher | Arcana | Place of Publication | Roma | Editor | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9788892772274 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2468 | ||
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| Author | Hoad, Catherine | ||||
| Title | Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” | Type | Journal Article | ||
| Year | 2023 | Publication | Rock Music Studies | Abbreviated Journal | |
| Volume | t.b.c. | Issue | Pages | ||
| Keywords | Nu metal; Otherness; Representation; Whiteness; Masculinity | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2464 | ||
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| Author | Banchs, Edward; Bardine, Bryan A.; Chilewska, Anna; Cintrón-Gutiérrez, Luis Javier; Hagen, Ross; Madera, Sheilla R.; Nelson, Bradley J.; Podoshen, Jeffrey; Purves, Robin; Ramos-Pibernus, Alixida; Shadrack, Jasmine Hazel; Scott, Niall W.R.; Varas-Díaz, Nelson; Venkatesh, Vivek; & Wallin, Jason | ||||
| Title | On Extremity: From Music to Images, Words, and Experiences | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 290 | ||
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| Abstract | “On Extremity: From Music to Images, Words, and Experiences brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.” (source: Amazon.com) |
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| Address | https://rowman.com/Page/Lexington | ||||
| Corporate Author | Thesis | ||||
| Publisher | Lexington Books | Place of Publication | Editor | Varas-Díaz, Nelson; Bardine, Bryan; Scott, & Niall W.R. | |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Extreme Sounds Studies: Global Socio-Cultural Explorations | Abbreviated Series Title |
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1666905208, 978-1666905205 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2520 | ||
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