| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2015 |
Journal of Implicit Religion |
18 |
209-231 |
| Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2017 |
Religion and Media |
|
s.p. |
| Coggins, Owen |
Citation and Recitation in Mystical Scholarship and Om’s Drone Metal |
2014 |
Diskus, Journal of the British Association for the Study of Religion |
16 |
30-47 |
| Coggins, Owen |
Mountains of Silence: Drone Metal Recordings as Mystical Texts |
2013 |
International Journal for the Study of Religion in Society |
2 |
21-32 |
| Coggins, Owen; Harris, James (eds) |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
2017 |
|
|
|
| Coggins, Owen |
Unstable Metaphors for the Inaccessible: Mysticism, Blackletter, Drone Metal |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
15-27 |
| Coggins, Owen |
A Spectre So Violent: Monstrous Logic and the Malevolent City in the Music of Skinny Puppy |
2017 |
Urban Monstrosities: Perversity and Upheaval in the Unreal City |
|
108-127 |
| Coggins, Owen |
Nationalist Black Metal, Black Metal Nation |
2014 |
Writing Difference: Literature, Identity and Nationalism |
|
460-481 |
| Bona, Michelle |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
2021 |
|
|
|
| Barchi, Rodrigo (ed) |
Diálogos com a música extrema |
2021 |
|
|
|
