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| Author | Gehlke, David E. | ||||
| Title | Turned Inside Out: : The Official Story of Obituary | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 328 | ||
| Keywords | Obituary, death metal, Florida, John Tardy, Trevor Peres, Donald Tardy | ||||
| Abstract | Tampa, Florida's Obituary has been a death metal institution since 1984. Guided by the inhuman, if not unfathomably deranged vocals of John Tardy, the obscenely brutal guitar tone of Trevor Peres and rhythmic brilliance of drummer Donald Tardy, Obituary defined heaviness throughout the 1990s. Their 1989 'Slowly We Rot' and 1990 'Cause of Death' studio albums are undisputed classics, but their live prowess and unwavering dedication to their fans made them one of the metal underground's most respected bands.An unexpected five-year hiatus starting in 1998 only saw Obituary's stature grow when a new generation of bands adopted their sonic trademarks. However, their post-reformation efforts were nearly sidetracked by the perils of the music industry and inter-band tumult. Through the unbreakable bond between the Tardy brothers and Peres, Obituary emerged stronger than ever, entrenched in their rightful position as death metal vanguards.'Turned Inside Out: The Official Story of Obituary' is the fully authorized biography of Obituary, providing an unprecedented look into the band's career through in-depth interviews, studio recollections, road stories and scores of exclusive photos. | ||||
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| Corporate Author | Thesis | ||||
| Publisher | dB Books | Place of Publication | Editor | ||
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1685641539, 9781685641535 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2274 | ||
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| Author | Mudrian, Albert (ed) | ||||
| Title | The Decibel Hall of Fame Anthology: Volume III | Type | Book Whole | ||
| Year | 2020 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 364 | ||
| Keywords | Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath. | ||||
| Abstract | Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums. In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover. |
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| Corporate Author | Thesis | ||||
| Publisher | dB Books | Place of Publication | Editor | Mudrian, Albert | |
| Language | English | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2275 | ||
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| Author | Makkonen, Markus; Strömsholm, Kim | ||||
| Title | Rotting Ways to Misery: The History of Finnish Death Metal (U.S. Edition) | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 364 | ||
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| Abstract | Decibel Books proudly presents Rotting Ways to Misery: The History of Finnish Death Metal. The definitive guide to the magical and morbid world of Finnish death metal, has been completely redesigned and edited for a North American release! Authors Markus Makkonen and Kim Strömsholm explore the extreme metal and thrash scenes of late ’80s, the short-lived but explosive scene of the early ’90s and the eventual devastating resurgence of death metal within the country. Limited to 1,000 copies. 364 pages, hardcover. Includes previously unpublished photos and exclusive interviews with artists. | ||||
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| Corporate Author | Thesis | ||||
| Publisher | dB Books | Place of Publication | Editor | ||
| Language | English | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2276 | ||
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| Author | Riekki, Matti | ||||
| Title | North From Here: The Sentenced Story (English edition) | Type | Book Whole | ||
| Year | 2021 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 262 | ||
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| Abstract | Founded in 1989, metal band Sentenced was a pioneer of Finnish heavy music. The band’s melancholy tunes had a universal appeal that spoke to audiences far further afield than just in their native North, with more than a million records sold worldwide. Over the course of their sixteen-year long career, Sentenced toured Europe and North America extensively. The story of these Northern Ostrobothnian (anti)heroes takes them on a wild ride through early teenage bravado to ludicrously absurd and profoundly tragic twists of fate. Along the way you’ll learn their songwriting secrets, experience unforgettable shows and explore the deepest troughs of despair that is life on tour. Deathly disaster and Northern gallows humour; triumphs and squandered opportunities. These heavy-drinking, famously taciturn men in black tell the tale of what it was like to play in the band called Sentenced. Author Matti Riekki is a music journalist specialising in heavy rock, known as the host of the late national radio show Metalliliitto and the longstanding Editor-in-Chief of Finnish heavy metal magazine Inferno. |
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| Corporate Author | Thesis | ||||
| Publisher | Svart Records | Place of Publication | Editor | ||
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2277 | ||
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| Author | Riekki, Matti | ||||
| Title | Täältä Pohjoiseen: Sentencedin Tarina | Type | Book Whole | ||
| Year | 2014 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 262 | ||
| Keywords | Sentenced, Death Metal, Melodic Death Metal, Gothic Metal, Finland | ||||
| Abstract | “Sekä puhumiseen että riemuitsemiseen pätee sama perussääntö: näitä tehdään vain kun on oikea tarve. Valittamiseen ja murehtimiseen riittää toki vähempikin.”Vuonna 1989 perustettu Sentenced oli suomalaisen raskaan rockin uranuurtaja. Melankoliasta voimaa puristanut yhtye vetosi muuallakin kuin Pohjolassa, ja sen levymyynti hipoo maailmanlaajuisesti miljoonaa. Kuusitoistavuotisen uransa aikana Sentenced teki lukuisia kiertueita Euroopassa ja Pohjois-Amerikassa. Vankka suosio Keski-Euroopassa teki yhtyeelle tutuksi muun muassa Berliinin ja Dortmundin klubit sekä festivaalit Saksan Rock Hardista Hollannin legendaariseen Dynamo Open Airiin. Euroopan laitoja yhtye kolusi aina Lontoon Astoria-klubilta Roomaan ja Osloon, joista jälkimmäisiä bändi muistaa kiertueuran pahoina paikkoina. Euroopan lisäksi lähinnä Yhdysvalloissa kiertänyt yhtye nousi viimeisellä ulkomaankiertueellaan vuonna 2005 lauteille myös Moskovassa ja Mexico Cityssä, missä mukana laulava yleisömassa sai keikkapaikan seinät tutisemaan ja lopettamispäätöksen tehneen bändin jäsenten silmäkulmat kostumaan.Pohjoispohjalaisten teinipoikien uhosta alkanut tarina on täynnä poskettomia käänteitä ja syvää tragiikkaa. Biisien synnyn salat, ikimuistoiset keikat ja kiertue-elämän alhot. Kuolemanvakavat kohtalot ja pohjoispohjalainen hirtehishuumori, saavutukset ja menetetyt mahdollisuudet. Raskaasti ryyppäävinä, mustiin pukeutuvina tuppisuina tunnetut miehet kertovat, mitä oli soittaa yhtyeessä nimeltä Sentenced. | ||||
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| Corporate Author | Thesis | ||||
| Publisher | Like Kustannus Oy | Place of Publication | Editor | ||
| Language | Finnish | Summary Language | Original Title | ||
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2278 | ||
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| Author | Michalewicz, Aleks | ||||
| Title | Gods amongst us/gods within: the black metal aesthetic | Type | Book Chapter | ||
| Year | 2007 | Publication | Super/heroes: From Hercules to Superman | Abbreviated Journal | |
| Volume | Issue | Pages | 211-222, 385-388 | ||
| Keywords | Black metal; Aesthetics | ||||
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| Publisher | New Academia Publishing | Place of Publication | Washington | Editor | Haslem, Wendy; Ndalianis, Angela; Mackie, Chris |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2279 | ||
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| Author | Olavarría Ginocchio, Ricardo | ||||
| Title | Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) | Type | Book Whole | ||
| Year | 2019 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 153 | ||
| Keywords | Música--Perú--Lima--Historia--1983-1989; Música rock--Perú--Lima--Historia--1983-1989; Música popular--Perú--Lima--Historia--1983-1989 | ||||
| Abstract | La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena. Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias. Además de confirmar las hipótesis de investigación, esta tesis muestra, primero, que los códigos musicales (en este caso del metal) influyeron en la realidad de los jóvenes que adoptaron dicho género como seña identitaria; y, segundo, que las particularidades de la escena metalera limeña respondieron a eventos y tendencias sociales, políticas y económicas propias de la realidad peruana. |
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| Address | Pontificia Universidad Católica del Perú, https://www.pucp.edu.pe/ | ||||
| Corporate Author | Pontificia Universidad Católica del Perú | Thesis | Master's thesis | ||
| Publisher | Pontificia Universidad Católica del Perú | Place of Publication | Lima, República del Perú | Editor | |
| Language | Spanish | Summary Language | Original Title | ||
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| Notes | Magíster en Historia. Creative common license: Atribución-NoComercial-CompartirIgual 2.5 Perú | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2280 | ||
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| Author | Alarcón Ruiz, Juan Carlos | ||||
| Title | CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 | Type | Book Whole | ||
| Year | 2017 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 316 | ||
| Keywords | Youth culture; identity; subculture; cultural construction; metal music | ||||
| Abstract | This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture. | ||||
| Address | https://web2.unfv.edu.pe/sitio/ | ||||
| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Federico Villarreal National University | Place of Publication | Lima, República del Perú | Editor | |
| Language | Spanish | Summary Language | English | Original Title | |
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| Notes | Licenciado en Antropología. | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2281 | ||
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| Author | Yépez Aguirre, Jimmy Renzo | ||||
| Title | La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 | Type | Journal Article | ||
| Year | 2019 | Publication | Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma | Abbreviated Journal | Pluriversidad |
| Volume | Issue | 3 | Pages | 21 | |
| Keywords | Individualism; mercantilism; fetichism; rock music; habitus-field | ||||
| Abstract | This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out. | ||||
| Address | Av. Benavides 5440 – Santiago de Surco Lima 33 Perú | postal section 1801 | ( 0511 ) 708 0000 | Email: helpdesk@urp.edu.pe | ||||
| Corporate Author | Thesis | ||||
| Publisher | Universidad Ricardo Palma | Place of Publication | Lima, República del Perú | Editor | Martínez Llaque, José |
| Language | Spanish | Summary Language | English | Original Title | |
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| ISSN | Print: 2617-6254 / Online: 2617-6262 | ISBN | Medium | ||
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| Notes | Creative Commons 4.0 (CC BY-NC) | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2282 | ||
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| Author | Yépez Aguirre, Jimmy Renzo | ||||
| Title | Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 | Type | Journal Article | ||
| Year | 2017 | Publication | Anales Científicos | Abbreviated Journal | |
| Volume | 78 | Issue | 2 | Pages | 80-91 |
| Keywords | Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society | ||||
| Abstract | This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. | ||||
| Address | https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 | ||||
| Corporate Author | Thesis | ||||
| Publisher | Universidad Nacional Agraria La Molina, Lima - Perú | Place of Publication | Lima, República del Perú | Editor | |
| Language | Spanish | Summary Language | English | Original Title | |
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| ISSN | Print: 0255-0407 / Online: 2519-7398 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2283 | ||
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