Records |
Author |
Hoffin, Kevin |
Title |
Decay as a black metal symbol |
Type |
Journal Article |
Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
1 |
Pages |
81-94 |
Keywords |
Rhetoric; Black Metal; Motifs; Aesthetics |
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en |
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ISSN |
2052-3998 |
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no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hoffin_decay_2018 |
Serial |
590 |
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Author |
Mackenzie, James Alexander |
Title |
Tech noir: Aesthetic connections between Burroughs’ Naked Lunch and contemporary extreme metal |
Type |
Journal Article |
Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
1 |
Pages |
25-40 |
Keywords |
Literature; Rhetoric; Motifs; Extreme metal; Aesthetics; Burroughs |
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en |
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2052-3998 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ mackenzie_tech_2018 |
Serial |
587 |
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Author |
Yavuz, M.Selim |
Title |
‘Delightfully depressing’: Death/doom metal music world and the emotional responses of the fan |
Type |
Journal Article |
Year |
2017 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
3 |
Issue |
2 |
Pages |
201-218 |
Keywords |
Rhetoric; Motifs; Doom metal; Death metal; Emotions |
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en |
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ISSN |
2052-3998 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ yavuz_delightfully_2017 |
Serial |
574 |
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Author |
Barnett, Brett A. |
Title |
Black Sabbath’s pioneering lyrical rhetoric: Tragic structure and cathartic potential in song narratives |
Type |
Journal Article |
Year |
2017 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
3 |
Issue |
1 |
Pages |
81-96 |
Keywords |
Rhetoric; Motifs; Black Sabbath |
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en |
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2052-3998 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ barnett_black_2017 |
Serial |
568 |
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Author |
Digioia, Amanda |
Title |
Lechery, lycanthropy and Little Red Riding Hood in Type O Negative’s ‘Wolf Moon (Including Zoanthropic Paranoia)’ |
Type |
Journal Article |
Year |
2016 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
2 |
Issue |
2 |
Pages |
233-243 |
Keywords |
Literature; Rhetoric; Motifs; Type O Negative |
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Language |
en |
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Series Volume |
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Edition |
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ISSN |
2052-3998 |
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Notes |
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no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ digioia_lechery_2016 |
Serial |
551 |
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Author |
St-Laurent, Méi-Ra |
Title |
Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh |
Type |
Journal Article |
Year |
2016 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
2 |
Issue |
1 |
Pages |
87-108 |
Keywords |
Rhetoric; Extreme Metal; Textuality; Septicflesh; Narrative |
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en |
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2052-3998 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ st-laurent_finally_2016 |
Serial |
544 |
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Author |
Wallach, Jeremy |
Title |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
Type |
Book Chapter |
Year |
2003 |
Publication |
Global Pop, Local Language |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
53-86 |
Keywords |
Non-Westen Scenes; Indonesia; Politics; Rhetoric |
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Publisher |
University Press of Mississippi |
Place of Publication |
Jackson |
Editor |
Berger, Harris M.; Carroll, Michael T. |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2088 |
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Author |
Scaricaciottoli, Emiliano; Minore, Gito (eds) |
Title |
Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
Type |
Book Whole |
Year |
2021 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Non-Western Scenes; Latin America; Sociology; Rhetoric; Aesthetics; Music Industry; Gender; Politics; Identity; Postcolonialism; Philosophy; Theology |
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Thesis |
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Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
Language |
sp |
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ISBN |
978-987-4167-76-7 |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2113 |
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Author |
Vidal, Yanina |
Title |
Repensar y refundar la P(M)atria: los tópicos del siglo XIX en el metal oriental en Cuchillagrande, Pecho E' Fierro y Libertad o Muerte |
Type |
Book Chapter |
Year |
2021 |
Publication |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
90-98 |
Keywords |
Topics; Rhetoric; Cuchillagrande (band); Pecho e' Fierro (band); Libertad o Muerte (band); Uruguay; Latin America; Nationalism; Non-western scenes |
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Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
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no |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2153 |
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Author |
Burke, David |
Title |
Esoteric Symbolism in Doom Metal |
Type |
Book Whole |
Year |
2016 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Rhetoric; Motifs; Doom metal; Esoterism |
Abstract ![sorted by Abstract field, ascending order (up)](img/sort_asc.gif) |
“By contrast, this study will focus on the way in which (some, but not all) doom metal artistsincorporate three cultural ideas into their works; horror, the occult, and the psychedelic. Whilstmuch of metal focuses on horror and monsters, particularly death metal, doom metal's use of moreesoteric material separates it from much of the larger metal genre, and connects it to an eclecticrange of cultural and musical influences. Doom metal's use of such paradigms has not beenexamined thus far, but there is much to be learned from such study; these cultural trends areintegral to understanding the history of esotericism and countercultural practice. In this study I willdefine each of those three cultural ideas, as well as further considering the cultural discourses thatcompose doom metal, and defining which styles within the genre are of the most interest. I will thenanalyse a range of music, album art and interviews with musicians, aiming to pinpoint how, and forwhat purpose, each band incorporates those elements into their style. Further, I will investigate howthese musicians and their works form part of larger zeitgeists (particularly that of esotericism), andwill consider how these artists, in different times and places, have come to utilise similar symbolsand ideas. These commonalities between musicians, I will argue, shows doom metal to be a 'glocal'musical phenomenon that has the ability to utilise a wide variety of cultural ideas and artifacts invariegated situations.” (from 4th page of introduction) |
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Corporate Author |
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Thesis |
Bachelor's thesis |
Publisher |
University of Southampton |
Place of Publication |
Southampton |
Editor |
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Language |
en |
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Notes |
BA (History) Degree |
Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ burke_esoteric_2016 |
Serial |
442 |
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